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Calligraphy

2020

I am deeply attracted to the beauty of Chinese characters. The Chinese character is originally from the concrete pattern. Gradually, over time, it becomes a more abstract form, but it still retains its main function that conveys the message. This process is my philosophy for designing this series of works. I tried in my own way, from the pattern of the concrete chair and table to the freehand drawing. In this continuous transformation process, I found my favorite pattern and turned it into three-dimensional forms. I'm very curious about that can these non-functional abstract tables and chairs also convey the message of tables and chairs in a three-dimensional space?